My work in glass and clay often features flora and fauna, which I use as a template for exploring human psychology. I am interested in archetypes, and the way natural imagery speaks and relates to the deepest parts of our psyche. I am interested in the most secretive parts of people, those feelings that can feel a little more animal than the rest. I think, paradoxically, these are the parts that make us most human.

We are animals of the earth first and foremost, and in this sense nature is the beginning of human stories.

You can read my statement on animal patterns here.

You can read my statement on nests here.